* CLOSED FOR THE SUMMER *

 

 

PRESS

Flash Art | Ian James | March/April Issue 2017

Terremoto | Epic 1-6 Spencer Holden | November 11, 2016

Artillery | Linnea Kniaz | November 9, 2016

Art Zealous | A Touch of Magic in Los Angeles: Alex Da Corte & Paul Pescador | September 13, 2016

1234Kyle5678 | Paul Pescador has CRUSHES | September 13, 2016

Seeing Is Forgetting | 018 LA-Based Chris Adler of Adler and Edmark, Co-Founder of VACANCY | September 1, 2016

Terremoto | A Person A Thought An Interruption | August 11, 2016

Colgate Scene | VACANCY in CNY | by Emma Loftus | Spring 2016

Taste the Style | Where to Head this Month in NYC & LA | by Raven Isak | February 26, 2016

Artspace | The 7 Top Art Destinations You Need to Visit in 2016 | by Patton Hindle | February 12, 2016

Notes on Looking | Anisotropic: If The Nuance Looks Moot Its Effects Are Radical, Or: The Sequoia National Forest Is Mind-Blowingly Big and Old and It’s For You To Look At: Chris Adler Interviews Brody Albert | by Chris Adler | November 28, 2016

Hyperallergic | A Fragmented City Characterized by Fences, Doors, and Distance | by Abe Ahn | November 27, 2015

carla | Open To The Public | by Matt Stromberg | November 18, 2015

Notes on Looking | Brody Albert and Kaeleen Wescoat-O'Neill: Open To The Public | by David Bell | November 17, 2015

LA Weekly | Best Art and Architecture Mashup 2015 | by Catherine Wagley | 2015

WOAH and Curate.la | Last Look: Suddenly I See Crystal Clear | by Sharsten Plenge| October 8, 2015

carla | Suddenly I See Crystal Clear at VACANCY | by Aaron Horst | September 16, 2015

Notes on Looking | A conversation: Chris Adler & Ali Edmark with David Bell | May 1, 2015